Erina Alejo (they/them/siya) is a lens-based cultural worker, artist, and third-generation tenant in San Francisco, USA. Their visual ethnographic practice and research interests center micro-communities (families, tenants, service workers) and housing rights. Their practice informs their arts grantmaking work at Stanford University. They are a nonbinary, panromantic demisexual. Erina prefers to surf at dawn, pending conditions. erinacalejo.com

Christine Santos (on the right) works in digital painting and recently photocopy art, printmaking, and installation. Pulling from state digital archives and her digital snapshots, she digitally manipulates and assembles them to address colonial omission, aesthetic failure, and diasporic legacies. Connections to speculative fiction, DIY culture, and CyperPinays can be made from her work. For example, Archival Densities is an installation series with altered state records from the Digital Archive of Hawai’i to stage fictional events of resistance and image errors. Image Trace Bounties is another project that remixes the distribution of Filipino art books and Fil-Am literature through zines, paintings, and screen prints.

Stephisha Ycoy-Walton is a multifaceted leader at the intersection of education, finance, and community advocacy. With over a decade of experience as a licensed investment advisor, Stephisha holds six state and federal licenses, including those from the Department of Insurance, FINRA, and NMLS, allowing her to assist hundreds of families across the nation in establishing solid financial habits.

Ash Alunan (he/they) is a super disabled, trans nonbinary, lesbian Filipinx badass nerd. He is incredibly passionate about disability justice and collective liberation, as well as empowering disabled youth as a Youth Program Coordinator at the Center for Independent Living in the East Bay. They love gallivanting in nature, cuddling with their loved ones, *performing* karaoke, and radical healing!